Arcadi, A.C., Daniel, R., Boesch, C.
– 1998, Buttress drumming by wild chimpanzees: Temporal patterning, phrase integration into loud calls, and preliminary evidence for individual distinctiveness, “Primates”, 39: 505-518
Bråten, S. (a c. di)
– 1998, Intersubjective Communication and Emotion in Early Ontogeny, Cambridge, Cambridge University Press
Brown, S.
– 2000, The Musilanguage Model of Music Evolution, in N.L. Wallin, C. Merker, S. Brown (a c. di), The Origins of Music, Cambridge (Mass.), Mit Press: 271-300
Darwin, C.
– 1981, The Descent of Man, and Selection in Relation to Sex, Princeton, Princeton University Press
Dissanayake, E.
– 1988, What Is Art for?, Seattle, University of Washington Press
– 1999, Homo Aestheticus. Where Art Comes from and Why, Washington, University of Washington Press
– 2000, Antecedents of the Temporal Arts in Early Mother-Infant Interaction, in N.L. Wallin, B. Merker, S. Brown (a c. di), The Origins of Music, Cambridge (Mass.), Mit Press: 389-410
– 2008, The Arts after Darwin: Does Art Have an Origin and Adaptive Function?, in K. Zijlmans, W. van Damme (a c. di), World Art Studies: Exploring Concepts and Approaches, Amsterdam, Valiz: 241-263
Dunbar, R.
– 2004, The Human Story. A New History of Mankind’s Evolution, London, Faber & Faber
Dutton, D.
– 2009, The Art Instinct. Beauty, Pleasure and Human Evolution, New York, Bloomsbury
Falk, D.
– 2004, Prelinguistic evolution in early hominids: Whence motherese?, “Behavioral and Brain Sciences”, 27: 491-503
Fitch, T.W.
– 2005, Dancing to Darwin’s tune, “Nature”, 438: 288
– 2006, The biology and evolution of music: A comparative perspective in cognition, “The Nature of Music”, 100: 173-215
– 2010, The Evolution of Language, Cambridge, New York, Cambridge University Press
Fritz, T. et al.
– 2009, Universal recognition of three basic emotions in music, “Current Biology”, 19: 573-576
Geissmann, T.
– 2000, Gibbon Songs and Human Music from an Evolutionary Perspective, in N.L. Wallin, B. Merker, S. Brown (a c. di), The Origins of Music, Cambridge (Mass.), Mit Press: 103-123
Giora, R. e Fein, O.
– 2004, Weapons of mass distraction: Optimal innovation and pleasure ratings, “Metaphor and Symbol”, 19: 115-141
Hagen, E.H. e Bryant, G.A.
– 2003, Music and dance as a coalition signaling system, “Human Nature”, 14: 21-51
Hagen, E.H. e Hammerstein, P.
– 2009-2010, Did neanderthals and other early humans sing? Seeking the biological roots of music in the territorial advertisements of primates, lions, hyenas, and wolves, “Musicae Scientiae”, Special Issue: Music and Evolution: 291-320
Hauser, M.D.
– 2000, The Sound and the Fury: Primate Vocalizations as Reflections of Emotion and Thought, in N.L. Wallin, B. Merker, S. Brown (a c. di), The Origins of Music, Cambridge (Mass.), Mit Press: 77-102
Herder, J.G.
– 1985, Über den Ursprung der Sprache, in Frühe Schriften 1764-1772, a c. di Ulrich Gaier, Frankfurt a. M., Deutscher Klassiker: 696-810
Janik, V.M. e Slater, P.J.
– 1997, Vocal learning in mammals, “Advances in the Study of Behavior”, 26: 59-99
Juslin, P. N. e Laukka, P.
– 2003, Communication of emotions in vocal expression and music performance: Different channels, same code?, “Psychological Bulletin, 129: 770-814
Justus, T. e Hutsler, J. J.
– 2005, Fundamental issues in the evolutionary psychology of music: Assessing innateness and domain specificity, “Music Perception: An Interdisciplinary Journal”, 23: 1-27
Kant, I.
– 1907, Kritik der Urtheilskraft, in Kant’s gesammelte Schriften, vol. V, a c. di Königlich Preußischen Akademie der Wissenschaften, Berlin, Reimer
Kirschner, S. e Tomasello, M.
– 2010, Joint music making promotes prosocial behavior in 4-year-old children, “Evolution and Human Behavior”, 31: 354-364
Kivy, P.
– 1959, Charles Darwin and music, “Journal of the American Musicological Society”, 12: 42-48
Koelsch, S. et al.
2002, Bach speaks: A cortical “language-network” serves the processing of music, “Neuroimage”, 17: 956-966
Koelsch, S. e Siebel, W.A.
– 2005, Towards a neural basis of music perception, “Trends in Cognitive Sciences”, 9: 578-584
Leinonen, Lea et al.
– 1991, Vocal communication between species: Man and macaque, “Language Communication”, 11: 241-262
Leinonen, L. et al.
– 2003, Shared means and meanings in vocal expression of man and macaque, “Logopedics Phoniatrics Vocology”, 28: 53-61
Levitin, D.J. e Menon, V.
– 2003, Musical structure is processed in “language” areas of the brain: A possible role for brodmann area 47 in temporal coherence, “Neuroimag”, 18: 74-82
Maess, B.
– 2001, Musical syntax is processed in Broca’s area: An meg study, “Nature Neuroscience”, 4: 540-545
McDermott, J. e Hauser, M.
– 2003, The origins of music: Innateness, uniqueness, and evolution, “Music Perception”, 23: 29-59
Menninghaus, W.
– 2011, Wozu Kunst?, Berlin, Suhrkamp
Miller, G.
– 2000, Evolution of Human Music through Sexual Selection, in N.L. Wallin, C. Merker, S. Brown (a c. di), The Origins of Music, Cambridge (Mass.), Mit Press: 271-300
– 2000a, The Mating Mind. How Sexual Choice Shaped the Evolution of Human Nature, London, Heinemann
Mithen, S.
– 2007, The Singing Neanderthals. The Origins of Music, Language, Mind, and Body, Cambridge (Mass.), Harvard University Press
Mothersbaugh, D.L., Huhmann, B.A., Franke, G.R.
– 2002, Combinatory and separative effects of rhetorical figures on consumers’ effort and focus in ad processing, “Journal of Consumer Research”, 28: 589-602
Patel, A.D.
– 2003, Language, music, syntax and the brain, “Nature Neuroscience”, 6: 674-681
– 2008, Music, Language, and the Brain, New York, Oxford University Press
Patel, A.D. et al.
– 1998, Processing syntactic relations in language and music: An event-related potential study, “Journal of Cognitive Neuroscience”, 10: 717-733
Peer, W. van
– 1990, The measurement of metre. Its cognitive and affective functions, “Poetics”, 19: 259-275
Pika, S., Liebal, K., Tomasello, M.
– 2003, Gestural communication in young gorillas (gorilla gorilla): Gestural repertoire, learning, and use, “American Journal of Primatology”, 60: 95-111
Richman, B.
1987, Rhythm and melody in Gelada vocal exchanges, “Primates”, 28: 199-223
Sander, D., Grandjean, D., Scherer, K.R.
– 2005, A systems approach to appraisal mechanisms in emotion, “Neural Networks”, 18: 317-352
Schrenk, F.
– 2009, Vom aufrechten Gang zur Kunst. Die Entwicklung und Ausbreitung des Menschen, Eiszeit. Kunst und Kultur, Thorbecke: 52-59
Spencer, H.
– 1858, The Origin and Function of Music, in Essays: Scientific, Political and Speculative, vol. I, London, Longman, Brown, Green, Longmans & Roberts: 359-384
Stumpf, C.
– 1885, Musikpsychologie in England. Betrachtungen über die Herleitung der Musik aus der Sprache und aus dem thierischen Entwickelungsproceß, über Empirismus und Nativismus in der Musiktheorie, “Vierteljahrsschrift für Musikwissenschaft”, 1: 261-349
Trehub, S.E., Hill, D.S., Kamenetsky, S.B.
– 1997, Parents’ sung performances for infants, “Canadian Journal of Experimental Psychology, 51: 385-396
Trehub, S.E., Schellenberg, E.G., Kamenetsky, S.B.
– 1999, Infants’ and adults’, perception of scale structure, “Journal of Experimental Psychology: Human Perception and Performance”, 25: 965-975
Unyk, A.M. et al.
– 1992, Lullabies and simplicity: A cross-cultural perspective, “Psychology of Music”, 20: 15-28
Wrangham, R.W. e Peterson, D.
– 1996, Demonic Males: Apes and the Origin of Human Violence, Boston, Mifflin
Zentner, M., Grandjean, D., Scherer, K.R.
– 2008, Emotions evoked by the sound of music: Characterization, classification and measurement, “Emotion”, 8: 494-521